This book summarises an exhibition staged by Katja Strunz in 2008 in her Galerie CFA in Berlin. It underlines - perhaps better than any other publication - the unity of the work, in which the starting point for the artist also often comprises found material. In this way, the past's present, the very history in the materials themselves, not only remains visible - as in the case of an 'objet trouvé' - but the realisation is that everything is in a state of permanent transition is also conveyed, that a constantly self-enriching point of attraction for new meanings can emerge in the very deformation of still visible structures and properties. In this way, one might say that her work is doubly charged.-- Source other than the Library of Congress.