Since the 1940s, Françoise Sullivan has created a vibrant and voluminous oeuvre of remarkable versatility. Constantly renewed by a rare inventiveness, her work has always remained faithful to the principles of freedom and engagement that she embraced during her early career in the Automatiste movement. Inspired by the great European and Native North American mythological traditions, passionate about art and poetry, and influenced by the time she spent in New York, Italy, Ireland and Greece, Sullivan has, in her boundless curiosity, never stopped experimenting with form and colour, gesture and movement, figuration and abstraction - not only in sculpture, performance, dance and photography, but also most decisively in painting.