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Twentieth-Century Opera George Antheil Ezra Pound

Le Testament 1923 facsimile edition with audio CD, 110 color plates, limited edition of 100 Includes a seminal essay on Pound's metrical invention, the duration rhyme, by Margaret Fisher; an essay on the current state of scholarship of Pound as a composer, by Robert Hughes; and an overview of Pound's oepras by Stephen J. Adams. Note: the audio CD of the complete opera is a digitally re-mastered re-issue of the 1972 LP recording, with some corrections to reflect current research. It is not available for purchase separately.