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Masking selves, making subjects
Traise Yamamoto
1999
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/
5
0 votes
History And Criticism
Human Body In Literature
Geschlechtsidentität
A Room of One's Own
4.2
23 votes
The Fall of Hyperion
4.0
45 votes
The Love Hypothesis
4.1
192 votes
La vérité sur l'affaire Harry Quebert
4.0
20 votes
The Joy Luck Club
4.0
43 votes
The Myth of Sisyphus
4.1
18 votes
Black Boy
4.1
16 votes
White oleander
4.0
17 votes
My Ántonia
3.9
16 votes
How to Be an Antiracist
4.3
24 votes
Martin Eden
3.8
41 votes
The Bonfire of the Vanities
4.0
17 votes
Parable of the Talents
4.1
17 votes
Everything Is Illuminated
3.8
19 votes
Stiff
4.1
27 votes
A light in the attic
4.2
33 votes
I Know Why the Caged Bird Sings
4.1
33 votes
The princess saves herself in this one
3.2
15 votes
Interpreter of maladies
3.8
37 votes
Welcome to the Monkey House
4.2
15 votes
The Bell Jar
4.2
29 votes
Sula
3.8
38 votes
Middlesex
4.2
44 votes
Howl, and Other Poems
3.9
23 votes
The Thirteenth Tale
4.1
15 votes
Their Eyes Were Watching God
4.1
37 votes
Consider the lobster, and other essays
4.1
17 votes
Le Morte d'Arthur
3.5
17 votes
The The Guernsey Literary and Potato Peel Pie Society
4.3
20 votes
Into the Wild
3.8
65 votes
Beloved
3.9
62 votes
Dawn
4.1
30 votes
Anatomy
4.3
20 votes
Walden
4.0
25 votes
Uncle Tom's Cabin
4.3
15 votes
The Yellow Wallpaper
4.0
39 votes
The Testament
3.6
15 votes
The Awakening
3.6
31 votes
Kindred
4.4
39 votes
The Dark Half
3.8
25 votes
We Have Always Lived in the Castle
4.4
45 votes
Cat's Cradle
4.0
99 votes
Milk and Honey
4.0
106 votes
The Ten Thousand Doors of January
4.2
17 votes
Childhood’s End
4.0
21 votes
The Man in the High Castle
3.6
105 votes
The Age of Innocence
3.5
42 votes
The Sun Also Rises
3.8
21 votes