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Modal Subjectivities
Susan McClary
2004
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/
5
0 votes
History And Criticism
History
Musical Form
Capitalist Realism
4.1
17 votes
Divina Commedia
3.8
24 votes
Essential Grammar in Use
4.4
15 votes
The Games People Play
4.0
39 votes
Think Again
3.7
23 votes
Thinking in systems
4.4
22 votes
San Manuel Bueno, mártir
4.1
15 votes
Ways of Seeing
3.9
16 votes
21 Lessons for the 21st Century
3.9
35 votes
After Babel
4.5
17 votes
In the Beginning...Was the Command Line
3.7
22 votes
Mein Kampf
3.8
37 votes
Code
4.3
21 votes
The Italian's Runaway Bride
4.2
20 votes
Clean Code
4.4
35 votes
Me Talk Pretty One Day
3.8
46 votes
Purple Hibiscus
4.5
20 votes
The Forced Bride
4.2
24 votes
The Sun Also Rises
3.8
21 votes
On Tyranny
4.2
17 votes
The Phantom of the Opera
3.9
26 votes
How To
4.5
23 votes
Quicksilver
4.0
31 votes
A Room of One's Own
4.2
23 votes
For Whom the Bell Tolls
3.4
16 votes
The Signal and the Noise
3.9
48 votes
Leonardo
4.0
32 votes
The Complete Robot
4.5
20 votes
The Anthropocene Reviewed
4.0
19 votes
Let's Explore Diabetes with Owls
3.5
27 votes
The elegant universe
4.0
22 votes
Le avventure di Pinocchio
3.8
19 votes
Calculus
4.1
17 votes
The Land of Stories
4.7
15 votes
Jung's map of the soul
4.7
27 votes
A Farewell to Arms
3.7
47 votes
Astérix le Gaulois
4.1
16 votes
Musicophilia
3.8
20 votes
The Godfather
4.4
35 votes
Crescendo
4.4
18 votes
Understanding Comics
4.2
25 votes
Babel-17
3.5
16 votes
Alexander and the Terrible, Horrible, No Good, Very Bad Day
3.9
31 votes
JavaScript
4.1
30 votes
The long ships
4.0
27 votes
The Italian's Inexperienced Mistress
4.4
15 votes
Ficciones
4.4
30 votes
Fooled by randomness
3.9
29 votes
