Sign In
Sign Up
Musikalisch-rhetorische Figuren in kompositorischer Praxis
Katrin Bartels
1997
-
/
5
0 votes
History
Doctrine Of The Affections
Music And Rhetoric
The Book of Mormon
3.0
15 votes
The Satanic Bible
4.3
19 votes
On Writing Well
3.8
18 votes
Manifest der Kommunistischen Partei
3.4
67 votes
As You Like It
3.5
16 votes
Mere Christianity
4.4
39 votes
The Wealth of Nations
4.1
27 votes
All Quiet on the Western Front
4.2
74 votes
Mein Kampf
3.8
37 votes
Slaughterhouse-Five
4.2
234 votes
Bible
4.0
57 votes
Narziss und Goldmund
4.0
17 votes
Demian
4.1
38 votes
Der Steppenwolf
3.9
44 votes
Der Vorleser
3.8
23 votes
The Anthropocene Reviewed
4.0
19 votes
Die Leiden des jungen Werthers
3.5
23 votes
Musicophilia
3.8
20 votes
Don't Let the Pigeon Drive the Bus!
4.3
82 votes
Crescendo
4.4
18 votes
Strega Nona
4.4
17 votes
Hans Andersen's Fairy Tales
3.8
18 votes
The Name of the Wind
4.3
40 votes
Mercury and me
4.0
20 votes
The Hiding Place
4.5
19 votes
The Book Thief
4.2
112 votes
Consider the lobster, and other essays
4.1
17 votes
Elvis and me
4.9
16 votes
Diper Överlöde
4.4
17 votes
Συμπόσιον
4.2
25 votes
To Make a Marriage
4.3
18 votes
Man's Search for Meaning
4.3
153 votes
Einstein
4.2
23 votes
High Fidelity
3.6
35 votes
The Hydrogen Sonata
4.0
27 votes
The Queen of the Damned
3.8
27 votes
The Boy in the Striped Pyjamas
4.0
48 votes
The Phantom of the Opera
3.9
26 votes
In the garden of beasts
3.4
18 votes
San Manuel Bueno, mártir
4.1
15 votes
The Prince
3.8
81 votes
Redeeming Love
4.3
31 votes
Dork Diaries 7
4.5
32 votes
The Spy Who Came in from the Cold
4.2
17 votes
Julius Caesar
3.5
47 votes
The Brothers Karamazov
4.3
47 votes
The Tao of Pooh
3.5
32 votes
Capitalist Realism
4.1
17 votes