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Narratives of Class in New Irish and Scottish Literature

Mary M. McGlynn

Scottish Fiction Irish Authors History And Criticism
Martin Eden
3.8 41 votes
I, Claudius
4.1 15 votes
Going Solo
4.1 16 votes
North and South
4.1 16 votes
The Silmarillion
4.0 98 votes
Dracula
3.7 50 votes
Down and Out in Paris and London
4.1 18 votes
Guards! Guards!
4.4 92 votes
San Manuel Bueno, mártir
4.1 15 votes
Die Leiden des jungen Werthers
3.5 23 votes
The Pilgrim's Progress
4.3 15 votes
Frankenstein; or, The Modern Prometheus
3.9 182 votes
Animal Farm
4.1 457 votes
We Have Always Lived in the Castle
4.4 45 votes
Dracula
4.1 129 votes
Kniha smíchu a zapomnění
3.7 15 votes
Das Schloß
4.5 21 votes
1984 (adaptation)
4.7 15 votes
Le Morte d'Arthur
3.5 17 votes
Women in Love
3.6 15 votes
These Old Shades
3.5 19 votes
As You Like It
3.5 16 votes
The alchemist
4.0 16 votes
The Invisible Man
3.8 90 votes
Pygmalion
3.9 47 votes
Short stories
4.1 16 votes
Narziss und Goldmund
4.0 17 votes
A Queda
3.6 43 votes
Mother Night
4.2 34 votes
Dubliners
3.8 73 votes
Julius Caesar
3.5 47 votes
The Sense of an Ending
3.8 26 votes
Breakfast of Champions
3.8 63 votes
The Lord of the Rings
4.6 78 votes
Pushing Ice
4.1 16 votes
Three Men in a Boat (to say nothing of the dog)
3.4 15 votes
Strange Case of Dr Jekyll and Mr Hyde
3.9 77 votes
The Remains of the Day
4.3 22 votes
The Hound of the Baskervilles
4.0 43 votes
The Myth of Sisyphus
4.1 18 votes
Going Postal
4.6 49 votes
The Brothers Karamazov
4.3 47 votes
Treasure Island
3.7 74 votes
Faust
4.1 31 votes
No longer human
4.0 87 votes
Crónica de una muerte anunciada
4.1 34 votes
Οἰδίπους Τύραννος (Oidípous Týrannos)
3.3 26 votes
On The Road
3.4 74 votes