Sign In
Sign Up
Subjectivity and women's poetry in early modern England
Lynette McGrath
-
/
5
0 votes
Criticism And Interpretation
History And Criticism
Self In Literature
North and South
4.1
16 votes
The princess saves herself in this one
3.2
15 votes
Eat, Pray, Love
3.3
27 votes
Arabian Love Poems
4.3
15 votes
A Room of One's Own
4.2
23 votes
A Murder Is Announced
4.3
16 votes
Mrs. Dalloway
3.7
40 votes
The Murder at the Vicarage
4.2
26 votes
The Great God Pan
3.6
37 votes
The Pilgrim's Progress
4.3
15 votes
The Body In The Library
3.8
17 votes
Women in Love
3.6
15 votes
Macbeth
4.0
111 votes
The Secret Adversary
3.8
26 votes
Far From the Madding Crowd
3.8
18 votes
Die Leiden des jungen Werthers
3.5
23 votes
High Fidelity
3.6
35 votes
The Cask of Amontillado
4.2
18 votes
Wuthering Heights
3.9
206 votes
The alchemist, 1612
4.2
26 votes
The Time Machine
3.9
75 votes
The 4:50 from Paddington
4.0
17 votes
Romeo and Juliet
3.6
163 votes
I Have to Tell You Something
3.7
48 votes
As You Like It
3.5
16 votes
Rime of the ancient mariner
3.7
21 votes
The Awakening
3.6
31 votes
If Tomorrow Comes
4.3
15 votes
Jane Eyre
4.0
127 votes
Howl, and Other Poems
3.9
23 votes
I, Claudius
4.1
15 votes
Paradise Lost
3.7
25 votes
When You're Ready, This Is How You Heal
4.4
15 votes
Das Schloß
4.5
21 votes
Divina Commedia
3.8
24 votes
Revolting rhymes
4.1
22 votes
Me Before You
4.2
53 votes
The Woman in White
3.9
17 votes
The Big Four
4.4
16 votes
Frankenstein; or, The Modern Prometheus
3.9
182 votes
Bridget Jones's Diary
3.6
43 votes
Going Solo
4.1
16 votes
The Love Hypothesis
4.1
192 votes
And Then There Were None
4.2
131 votes
The Day of the Triffids
4.1
32 votes
A light in the attic
4.2
33 votes
the sun and her flowers
4.1
38 votes
Can You Keep A Secret?
4.1
16 votes