Sign In
Sign Up
Targets of satire in the comedies of Etherege, Wycherley, and Congreve
Ursula Jantz
-
/
5
0 votes
A Gentle Awakening
4.2
15 votes
The professor and the madman
3.5
19 votes
The Great Divorce
3.7
21 votes
Earth abides
3.9
15 votes
In the Hand of the Goddess
4.2
20 votes
Burning Chrome
3.9
41 votes
Naked Lunch
3.7
19 votes
System of the World
4.1
21 votes
Midnight in the Garden of Good and Evil
4.0
26 votes
Alanna: The First Adventure
4.3
34 votes
Of Mice and Men
4.0
238 votes
Animal Farm
4.1
457 votes
Middlemarch
4.0
20 votes
Down and Out in Paris and London
4.1
18 votes
The Spy Who Came in from the Cold
4.2
17 votes
In the garden of beasts
3.4
18 votes
Taming of the Shrew
3.4
23 votes
Twelfth Night
3.7
28 votes
Endless Nights
4.0
15 votes
Utopia
3.2
18 votes
Eats, Shoots & Leaves
3.6
21 votes
Homage to Catalonia
4.3
19 votes
The Miserable Mill
3.8
31 votes
As You Like It
3.5
16 votes
Childhood’s End
4.0
21 votes
The Blind Watchmaker
3.9
21 votes
Stoner
4.3
35 votes
Halfway to the Grave
3.7
15 votes
Macbeth
4.0
111 votes
The Invention of Hugo Cabret
4.5
15 votes
Lincoln in the Bardo
4.1
18 votes
Idoru
3.8
29 votes
The Blue Sword
4.2
19 votes
The Lost World
3.9
33 votes
Pride and Prejudice
4.1
275 votes
The Iliad of Homer
4.0
69 votes
Captive Loving
4.0
21 votes
The Woman Who Rides Like a Man
4.5
22 votes
All Tomorrow's Parties
3.9
19 votes
The Crucible
3.5
68 votes
The Pilgrim's Progress
4.3
15 votes
Holes
4.2
166 votes
Kane & Abel
4.2
28 votes
The Amityville Horror
2.8
16 votes
And Then There Were None
4.2
131 votes
Lioness Rampant
4.3
22 votes
Red Dragon
4.2
30 votes
Wolf Hall
4.0
37 votes