Sign In
Sign Up
Techniques of compression and prefiguration in the beginnings of Theodor Fontane's novels
Carol Hawkes Velardi
1992
-
/
5
0 votes
Openings (Rhetoric)
Fiction
Criticism And Interpretation
Moby Dick
3.8
132 votes
All the bright places
4.3
53 votes
Middlemarch
4.0
20 votes
On Writing Well
3.8
18 votes
The Cathedral and the Bazaar
4.3
16 votes
The Prize
4.4
16 votes
Unfinished Tales of Númenor and Middle-earth
3.9
16 votes
Das Schloß
4.5
21 votes
And to think that I saw it on Mulberry Street
4.2
18 votes
San Manuel Bueno, mártir
4.1
15 votes
These Old Shades
3.5
19 votes
Memoirs of a Geisha
4.0
69 votes
Devil's Cub (Alastair-Audley #2)
4.3
15 votes
Can You Keep A Secret?
4.1
16 votes
Don't Let the Pigeon Drive the Bus!
4.3
82 votes
The Godfather
4.4
31 votes
Insomnia
3.9
95 votes
The Technique of the Mystery Story
3.1
16 votes
On Cooking
3.8
15 votes
The Children of Húrin
3.9
27 votes
Redeeming Love
4.3
31 votes
Oryx and Crake
4.2
44 votes
The Godfather
4.4
35 votes
The Girl Who Loved Tom Gordon
3.8
24 votes
Poppy
3.9
22 votes
The Clan of the Cave Bear
4.1
61 votes
Cyclops
4.0
131 votes
Foundation
4.1
253 votes
Black Wind (Dirk Pitt #18)
3.7
45 votes
From a Buick 8
3.5
17 votes
Watership Down
4.1
84 votes
Мы
4.1
34 votes
Alice's Adventures in Wonderland / Through the Looking Glass
4.0
92 votes
Heartless
4.0
18 votes
Inca Gold
3.8
27 votes
The Awakening
3.6
31 votes
You Are a Badass
3.9
19 votes
Rebecca
4.2
39 votes
Strange Case of Dr Jekyll and Mr Hyde
3.9
77 votes
The Complete Jungle Book
3.9
15 votes
On The Road
3.4
74 votes
Fantastic Mr Fox
3.9
104 votes
Short stories
4.1
16 votes
After Babel
4.5
17 votes
Deception Point
3.3
90 votes
Half of a Yellow Sun
4.3
27 votes
El Club Dumas
3.4
19 votes
Assata
4.4
17 votes