Germán Romero's (Mérida. 1966) photographs scrutinize the Historic Center of Mexico City in search of characters in emotional states or situations that reflect ways of inhabiting this emblematic space of the country that, due to their daily lives, go unnoticed by the eye. In the words of Roberto García Bonilla Romero turns his models into urban hagiographies until reaching a hieratic countenance, even stripping them of his natural defenselessness.

Germán Romero's (Mérida. 1966) photographs scrutinize the Historic Center of Mexico City in search of characters in emotional states or situations that reflect ways of inhabiting this emblematic space of the country that, due to their daily lives, go unnoticed by the eye. In the words of Roberto García Bonilla Romero turns his models into urban hagiographies until reaching a hieratic countenance, even stripping them of his natural defenselessness.