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The semiotics of subtext in modern drama

Joanne E. Horwood

1996
History And Criticism Novel Subtext (Drama
The Current War
3.4 2K votes
Colette
3.5 888 votes
Victoria & Abdul
3.5 2K votes
Leopardi
3.4 650 votes
Harriet
3.7 762 votes
12 Years a Slave
4.0 12K votes
The Young Victoria
3.6 995 votes
The Elephant Man
4.0 4K votes
Glory
3.7 2K votes
Les Misérables
3.7 6K votes
Oppenheimer
4.0 10K votes
Coco Before Chanel
3.4 924 votes
Anna Karenina
3.4 3K votes
Silence
3.5 4K votes
Caligula
3.0 827 votes
The Man Who Knew Infinity
3.6 2K votes
Society of the Snow
4.0 3K votes
Denial
3.4 630 votes
Anonymous
3.2 713 votes
Suffragette
3.6 2K votes
Mary Queen of Scots
3.3 2K votes
Little Women
3.9 7K votes
Lincoln
3.4 4K votes
Gangs of New York
3.7 7K votes
Lamborghini: The Man Behind the Legend
3.2 577 votes
The Virgin Spring
3.9 603 votes
The Count of Monte Cristo
3.8 2K votes
An Officer and a Spy
3.5 2K votes
The Professor and the Madman
3.6 2K votes
Selma
3.7 3K votes
Elizabeth
3.6 2K votes
The Diving Bell and the Butterfly
3.8 2K votes
Darkest Hour
3.7 6K votes
Judas and the Black Messiah
3.6 2K votes
Throne of Blood
4.0 833 votes
On the Basis of Sex
3.7 2K votes
The Trial of the Chicago 7
3.9 3K votes
Judgment at Nuremberg
4.0 767 votes
Seabiscuit
3.5 810 votes
Andrei Rublev
4.0 806 votes
The Damned United
3.6 618 votes
Hamilton
4.1 2K votes
The Passion of Joan of Arc
4.0 920 votes
She Said
3.6 561 votes
The Dig
3.4 2K votes
Hidden Figures
4.0 10K votes
One Life
3.9 576 votes
The Zone of Interest
3.6 2K votes