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The semiotics of subtext in modern drama
Joanne E. Horwood
1996
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5
0 votes
History And Criticism
Novel
Subtext (Drama
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163 votes
When Calls the Heart
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3.8
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Charité
3.6
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The Gilded Age
4.0
171 votes
Dr. Quinn, Medicine Woman
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421 votes
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3.8
446 votes
The Frankenstein Chronicles
3.5
114 votes
Emma
3.8
127 votes
Harlots
3.8
155 votes
Dracula
3.6
372 votes
Babylon Berlin
3.9
307 votes
Murdoch Mysteries
3.9
249 votes
Alias Grace
3.6
271 votes
Sense and Sensibility
3.8
105 votes
Around the World in 80 Days
3.6
131 votes
Anne with an E
4.3
5K votes
Versailles
3.9
192 votes
Once Upon a Time... Man
4.1
113 votes
Poldark
3.9
277 votes
1883
4.1
578 votes
John Adams
3.8
284 votes
Pride and Prejudice
4.1
451 votes
Wolf Hall
3.8
101 votes
La Révolution
3.4
202 votes
Those About to Die
3.8
185 votes
Ripper Street
3.7
160 votes
The Pillars of the Earth
3.8
348 votes
Hell on Wheels
3.8
409 votes
Pan Am
3.1
110 votes
Boundless
3.8
102 votes
The Great
4.1
1K votes
Les Misérables
3.7
111 votes
Lonesome Dove
3.9
175 votes
War and Peace
3.8
200 votes
World Without End
3.5
104 votes
Little House on the Prairie
4.0
878 votes
Mildred Pierce
3.5
217 votes
Magnificent Century: Kösem
3.8
366 votes
Knightfall
3.5
313 votes
Genius
3.9
248 votes
The Spanish Princess
3.8
439 votes
Sanditon
3.9
106 votes
Roots
3.7
215 votes
The Musketeers
3.5
176 votes
Bridgerton
4.0
3K votes
Queen Sugar
3.9
111 votes