Rhoda Bharath's stories bring a very contemporary Trinidad of the internet and social media into an urgent but complex focus. Told through a distinctive range of individual voices, they visit the domestic and public spaces of a country moving too fast between the knowing innocence of its past and the experience of a globalized present where the the words "shipping and transportation" have quite a different meaning in the thesaurus of the street corner. Caught in the antagonisms of race, class, and gender; the violence that comes with the trade in cocaine; and an Anancy politics where government power is the means to personal wealth made secure by favors to one's ethnic supporters, Bharath's characters are often engaged in a struggle to balance a desire for meaning and self-worth with the temptations of survival by any means.