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Theatrical and narrative space
Erik Østerud
1997
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/
5
0 votes
Criticism And Interpretation
Henrik
1849-1912
Dracula
4.1
129 votes
The Mysterious Island
4.2
19 votes
As You Like It
3.5
16 votes
Смерть Ивана Ильича
4.1
35 votes
Wonder
4.3
215 votes
The Killer Angels
4.3
15 votes
My Fault
4.0
17 votes
Why We Sleep
4.5
17 votes
Paper towns
3.9
64 votes
A Midsummer Night's Dream
3.7
72 votes
Pygmalion
3.9
47 votes
Anna Karenina
4.2
37 votes
H Is for Hawk
3.8
16 votes
The alchemist, 1612
4.2
26 votes
Antigone
3.5
19 votes
Lady Chatterley's Lover
2.8
16 votes
Tempest
4.0
50 votes
Οἰδίπους Τύραννος (Oidípous Týrannos)
3.3
26 votes
The Shock Doctrine
4.6
18 votes
The Mythical Man-Month
4.2
28 votes
Harry Potter and the Cursed Child
4.0
100 votes
The Glass Menagerie
4.1
33 votes
Taming of the Shrew
3.4
23 votes
Faust
4.1
31 votes
Julius Caesar
3.5
47 votes
Women in Love
3.6
15 votes
Romeo and Juliet
3.6
163 votes
Interesting Times
4.2
45 votes
The alchemist
4.0
16 votes
Gödel, Escher, Bach
4.2
59 votes
Going Postal
4.6
49 votes
Alias Grace
3.9
19 votes
Death of a Salesman
4.0
57 votes
Lucifer's Hammer
4.0
27 votes
The Crucible
3.5
68 votes
Macbeth
4.0
111 votes
A Raisin in the Sun
3.6
16 votes
Wings of Fire
4.4
68 votes
The Devil in the White City
3.9
51 votes
A Streetcar Named Desire
3.2
28 votes
Rosencrantz & Guildenstern are dead
4.2
17 votes
Physics
3.7
17 votes
Othello
3.8
39 votes
Hamlet
4.0
140 votes
Into the Wild
3.8
65 votes
On the origin of species by means of natural selection
4.2
20 votes
The botany of desire
3.8
15 votes
Ship Breaker
3.7
15 votes
