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Theatrical and narrative space
Erik Østerud
1997
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/
5
0 votes
Criticism And Interpretation
Henrik
1849-1912
Colette
3.5
888 votes
Suffragette
3.6
2K votes
12 Years a Slave
4.0
12K votes
Selma
3.7
3K votes
Coco Before Chanel
3.4
923 votes
Darkest Hour
3.7
6K votes
Judas and the Black Messiah
3.6
2K votes
The Trial of the Chicago 7
3.9
3K votes
On the Basis of Sex
3.7
2K votes
The Man Who Knew Infinity
3.6
2K votes
Judgment at Nuremberg
4.0
767 votes
Society of the Snow
4.0
3K votes
Denial
3.4
630 votes
Caligula
3.0
826 votes
One Life
3.9
575 votes
Hidden Figures
4.0
10K votes
Milk
3.6
3K votes
Marie Antoinette
3.4
3K votes
Malcolm X
3.8
2K votes
Les Misérables
3.7
6K votes
The King's Speech
3.9
9K votes
Ferrari
3.2
908 votes
Invincible
3.5
910 votes
The Iron Claw
3.8
799 votes
Harriet
3.7
762 votes
Seabiscuit
3.5
809 votes
Andrei Rublev
4.0
805 votes
Mirror
4.0
925 votes
Throne of Blood
4.0
831 votes
Glory Road
3.7
714 votes
The Railway Man
3.4
715 votes
Genius
3.2
663 votes
Rudy
3.7
659 votes
We Are Marshall
3.4
671 votes
Leopardi
3.4
649 votes
Being the Ricardos
3.3
619 votes
W.
3.1
621 votes
The Damned United
3.6
618 votes
1900
3.9
608 votes
Flamin' Hot
4.0
610 votes
Oppenheimer
4.0
10K votes
Spotlight
3.9
9K votes
Air
3.7
2K votes
The Dig
3.4
2K votes
The Diving Bell and the Butterfly
3.8
2K votes
The Zone of Interest
3.6
2K votes
Spencer
3.4
2K votes
Elizabeth
3.6
2K votes