This book offers an approach to the death of cartoonist Ricardo Rendón (Rionegro, Antioquia 1894-1931). Since immediately after his ultimateact, at the La Gran Vía café in Bogotá, many interpretations of his life, work, and death have been proposed. Especially, the Gentleman of the sad figureʺ was analyzed by his peers and companions in the bohemian lifestyle, both in his native Antioquia and in the city that welcomed him to elaborate his acid portraits of the political life of the country. However, from a historiographical perspective, there is a shortage of interpretations of his influence as a cartoonist, his life and the aspects of the political revolt of which he was part through his graphic work. In these pages, we examine his last months of life, which coincided with the beginning of the Liberal Republic. It is a reading of his cartoons about different events in the political life of the country, during the first year of Enrique Olaya Herreraœs government, the outbreak of violence (especially in the countryside), and the hot topics of oil politics, until reaching that decisive October 28, 1931 when in a reserved table of the back room of La Gran Vía, he shot himself in the mouth with a Watchmaker Colt, after drawing on the table a head with the trajectory of the bullet and writing on the bavarian patent: "I beg not to take me home". He was only 37 years old.